by Katy Goodell
1st Grade, Riverbend Elementary
,Artful Teaching has become part of every day in the classroom. Whether it’s the vocabulary I’m using, a thinking routine, the actors toolbox, or tableaus, some part of each of our day involves techniques and skills I have acquired this year through this amazing opportunity. I have decided to share some pictures of some things I have done in my classroom using tableaus. I personally believe that handing students a paper and pencil doesn’t actually show all that they can do, especially when it comes to assessments. So, this year I chose to use tableaus as formal and informal assessment tools.
In these first three photos you see students laying on the floor in different shapes. We went through the actors toolbox then dove into some tableau work with plane shapes. During this time, students were learning all about different kinds of shapes in math. I used this time to include some tableau work to assess how the students were understanding sides, vertices, and angles.
You will notice that all three tableaus are on the ground. One of the characteristics of a tableau is that there are levels. Students seemed to really struggle through figuring out how a plane shape could have different leveles. They were so stuck on the fact that it’s two dimensional and the fact that they see these shapes as something flat. Next year, when I go through these lessons again, I really want to discuss in depth that just because a plane shape is flat doesn’t mean it has to be flat on top of a surface. It was really interesting to see the students struggle through this.
When we debriefed after our tableau work, students were surprised and seemingly caught off guard when I brought this to their attention. This made me reflect a bit on my teaching during these lessons. It showed me that I didn’t explain that just because it’s a plane shape, it doesn’t mean that it has to be “flat on the ground.”
With all of that being said, the kids were still successful during this process and they weren’t using a pencil and a piece of paper. They were reflecting on the different attributes of plane shapes and discussing how they could create those shapes as a team. Each team was able to create a plane shape without support from anyone other than their own team.
It was fun to watch them go through Think, Share, Plan, and Create. They could make it through Think and Share, but once we got that far, they were so excited to plan and then create that most of them would just start it. I had a hard time with that at first. I couldn’t decide if it really was appropriate to stop them when they were so excited to learn and create together. But I quickly got over that because it caused more issues than success. Throughout the year I have gotten more and more comfortable with the tableau process, which has me extremely excited for D.C. and next years implementation!
In the next set of photos, you see students at different levels. You also see students being assessed once again. It was so great to have a tool to use this year aside from a paper and pencil. This second set of photos was taken during my formal observation earlier this year when my principal came in to observe. I had been talking about Artful Teaching and how much I had been enjoying spending some of my time outside of school at these amazing workshops when my principal said, why don’t you show me what you have been doing…
There are so many times where I feel that we as teachers feel like we have to show what we are doing with the curriculum and our implementation of it, that we forget there is an art form to teaching. Artful Teaching has helped me express my teaching art form in ways that I don’t think I would have come up with on my own.
During this lesson, my students were being assessed on what they had learned through the week about solid shapes. They had to consider the faces, verticse, sides, and angles. This was a very challenging lesson and assessment tool. We had done quite a bit of work with our foam solid shapes, and I knew my students had learned and understood quite a bit about the attributes about solid shapes, but they honestly blew me away during this assessment.
Each group went through Think, Share, Plan, and Create. Through out this process, I was walking around listening to the different thoughts and plans they had. Their consideration for all of the attributes of these shapes were amazing. This really gave then the opportunity to think about the shapes that each solid shape have within them.
As I walked around the room I heard groups discussing how the cube has square sides and how a pyramid has a square base. These are things that we had discussed but when they actually had to apply those attributes to a real life creation of these shapes, they had to think more deeply about what each shape really looks like.
Some groups were more successful than others. I found that students had a hard time deciding if the attributes that one friend had shared were actually true in regards to the solid shape they had chosen to create. It was also hard for students to decide what each person was going to do. They were all so excited about what they had learned that they wanted to play every part.
We did these tableaus a few different times so each group had an opportunity to create different shapes. As we continued the work, the tableaus got more and more detailed.
I am so grateful for the opportunity to be part of such an amazing experience. I have grown so much as an educator and I can’t wait to continue this experience next year with my peers and my students.
by Tennie Bentz
Dzantik'i Heeni Middle School, 7/8th grade
Bentwood Box created by Leroy Hughes
Eighteen primarily Alaska Native students enter the classroom full of energy on this fall afternoon. Most of them struggle in math and it is the last class of the day, so no one is ready to buckle down to learn about measurement, surface area, volume, symmetry, or ratios and proportions. Then Ruby Hughes, our Cultural Specialist, brings in the most beautiful Bentwood Box any of us have ever seen. It is large, approximately 24 inches on each side. Intricate formline designs are carved on two sides and painted on the other two. The students settle down a bit and I start to hear sounds of excitement as they begin to look at and touch the box. They are hooked. Not only are they in the presence of a masterpiece, they are about to create their own.
Students settle into their seats with the Bentwood box at the center of the room. We begin the I See, I Think, I Wonder thinking routine and discuss what students see when they look at the box. What makes this box so beautiful? Is it the size, the shapes, the colors, the symmetry? Groups look closely at the box and explain how they think the box was built. Some of our students have built one before so they can help explain the process to others. Many students wonder how they will ever be able to complete something so complicated. Step by step, we tell them. It’s going to be a long process, but in the end they will have a tangible item that they will be able to give as a gift or keep as a memory of the challenge to come.
A couple of days later, Ruby brings each student their own rectangular piece of yellow cedar from Hoonah. Sealaska Heritage Foundation helped cover the cost of the cedar which is fairly expensive. Ruby explains the importance of precise measurement and we show students examples of boxes that were square and others that are not. Students see the beauty in symmetry. Perfectly bent corners, straight lines, tops proportional to the bottoms. Armed with a ruler, pencil and their new knowledge of measurement, students begin measuring precisely to ¼ and ⅛ and even 1/16 of an inch. Some of the students fly along, making their measurements while others fall behind. One girl starts to wander about the classroom bothering others. At first she won’t tell me why she is wandering and then I realize, she doesn’t know how to read her ruler. She’s never been asked to measure something so precisely, especially when mis-measuring by something as small as ⅛ of an inch will end up creating a box that is no longer symmetrical and square. This young lady would rather give up than end up with a less than perfect product. I convince her to sit back down and together we began to measure. We create a template because remembering which line is which on the ruler is too difficult for her on this day. Soon she has her measurements complete, her corner angles drawn correctly and the rest of the class finishes soon after.
The project flies by. Day after day as students saw, sand, and chisel their way towards a final project. Ruby works patiently guiding half of the students through the process of building their boxes. I work with the other half of the class tying in the math behind the art. We learn about surface area by creating wrapping paper and volume by filling the example boxes with cubes. Fractional measurements are converted to decimals and percents. Standard systems of measurement are converted to metric. On and on the math goes with students always excited to stop with the math so they can just go work on the art.
Soon the boxes take shape. Ray Watkins visits Dzantik’i Heeni and he and Ruby take a few kids at a time downstairs to steam and bend the boxes into their square shape.The other students wait impatiently with me. They want to see if all of their precise measurements and persistence sawing and chiseling have paid off. Will their final product have the lines of symmetry and the perfect bends in the corners? Soon students begin to carry the boxes back upstairs, smiles on their faces. Most of the boxes are nearly perfect, a few aren’t quite square but Ruby is sure that she and Ray can magically fix them overnight. The next day, when the students return, everyone has a perfect box.
Soon the students began new measurements to create perfectly fitting bottoms and proportional tops. The boxes were nearing completion for many students. The experience of building their own Bentwood box was enough. Others however wanted to take the box further and create their own formline design to put on the outside.
We spent some time looking at the Colors, Shapes and Lines on the masterpiece Bentwood Box that had served as our inspiration through this entire process. The colors were few but bold. Red, black, teal and natural wood. Ruby taught us the names and relationships between the shapes. Ovoids serve as the center from which U-shapes extend. We learned that the shapes rarely stand on their own, but connect and flow from one form to another. To me this was the perfect analogy for how math should be taught. Fractions should not stand on their own, there needs to be flow, a relationship and connection between the math and real life application. This was the perfect opportunity to teach ratios, proportions, similar and congruent figures and lines of symmetry through art. Ruby taught the students how to make ovoids using lines of symmetry and I created an activity where they had to measure the height and width of the ovoids and then create new ovoids that were similar using ratios and proportions. Most of the students ended up with a set of ovoids that they could use as a template when creating the formline design on their boxes. Some students quickly realized that they could avoid the math and just draw ovoids within ovoids to create their template. Whichever method students chose to use, the concept behind math supporting art was cemented.
Students are still working on their formline designs. One young lady is trying to get in touch with her grandparents to learn more about her lineage so she can put the correct clan crests on her box. She is an inspiration to me and reinforces the need for more projects like this one. She doesn’t do much in math class and did very little of the work when we worked with the math behind the art. Some may call this a failure of the project when looking at it from a math perspective but this student is so proud of the masterpiece that she created that she is taking the time to make sure the connection to her family’s history is accurate. She plans to give her box to her grandmother in Angoon. That in itself proves the project was successful in my eyes.
I owe a huge thank you to Ruby Hughes. Her calm presence and patience was an inspiration through this process. Without Ruby’s help and support, this project would have been a disaster. Ray Watkins’ help behind the scenes made this project streamlined and successful as well. Thank you to Sealaska Heritage Institute for your generous support providing the yellow cedar and to the Artful Teaching grant for purchasing colored pencils for the final box designs.
By Marnita Coenraad
3rd Grade, Riverbend Elementary School
As I began my Artful Teaching journey last year, I was excited to find how seamlessly I was able to integrate Artful Thinking routines into my literacy instruction. I found that Reading Portraits added depth of knowledge to our reading of biographies, and art seem to provide an entry point for struggling readers. This year that trend continued with our study of tableau. As I became more familiar with the routines, I branched out and used them in science and social studies as well. But even as I experimented with these new content areas, I found that bringing the routines into my math instruction was more challenging. I made it a goal for the spring semester to bring Artful Teaching to my math lessons.
For each new math lesson, I create a guided notes sheet. These notes serve as guide through the lesson, as well as a reference that can use when completing their independent practice or homework. I decided that I would include a thinking routine at the beginning of each math lesson. I hoped that this would stimulate thoughtful discussions and promote student discovery of mathematical concepts.
The following is an introduction to geometry lesson. I used the thinking routine “See, Think, Wonder” to help students discover characteristics of open/closed shapes, polygons, and special quadrilaterals.
1. Students started by looking at groups of open and closed shapes. I did not give them any indication as to why shapes were grouped in this way. Students then completed at least one entry for See, Think, and Wonder. I did not ask students to write in complete sentences for this exercise. You can see that students entered the lesson with varying degrees of prior knowledge.
2. After some direct instruction in open versus closed figures, students repeated the thinking routine with two more groups of figures. I was happy to see that immediately began experimenting with the new vocabulary introduced during the lesson. Again, some students were already familiar with geometry vocabulary, while others were engaging with it for the first time.
3. After direct instruction in naming polygons and their parts. We repeated “See, Think, Wonder” for a final time. Students again used the new vocabulary in their observations and inferences. Several students noticed that some of the shapes were line drawings, or “random” shapes, and some were “real,” meaning photographs. This breaking into two groups was an unexpected result of my having two groups in the previous two routines. I had hoped that students would notice they all had four sides.
Although there were a few misconceptions along the way. I was happy that students were able to construct their own definitions for open shape, closed shape, and polygon. With help, we also discovered the characteristics of special quadrilaterals like rectangles, parallelograms, and trapezoids. I have taught similar geometry lessons that are vocabulary rich, and it can be difficult to get students to engage with the new words and their meanings. Teaching this lesson through the Artful Thinking routine encouraged students to construct their own definitions and provided a safe space to try out their new vocabulary terms. Since this lesson, we have used the art of Kandinsky and Mondrian to identify and name 2-dimensional figures. Students are highly motivated to find and share the shapes they see.
I am continuing to experiment with using art in my math instruction. I recently used Navajo blankets to review symmetry and introduce area. While arts integration in math does not come as naturally to me as in other subjects, I am enjoying the challenge. More importantly, I see students participating in class who are usually reticent to volunteer in math discussions. Since we teach art terms throughout elementary, I have found that students are comfortable analyzing and discussing art. The consistency of thinking routines coupled with the familiarity of art has made math more accessible and enjoyable for many of my students.
by James White
6th Grade Math, Dzantik'i Heeni Middle School
I chose to teach my 6th grade math students about Integers (positive and negative whole numbers) and Integer Operations (+,-,X,/) through Curriculum Based Readers Theatre (CBRT). Students learned about CBRT, properties of Integers and the rules for performing operations with Integers. I followed a basic sequence of direct instruction note taking on the concepts (similar to the routines already established) and then used sample CBRT scripts to introduce CBRT. Students then developed, rehearsed, and performed a CBRT script that they wrote as a class. I assessed the effectiveness of using CBRT to teach the rules of Integer Operations by having these students take a pre and post test and then analyzed the results.
Integers and Integer Operations are critical concepts for advancement through pre-algebra, and the first concept these students will learn at the start of 7th grade. 7th grade mathematics teachers stated that they wanted to have 6th graders exposed to these concepts by the end of their school year so it was more familiar by the time they taught it at the start of the following year in their classes. Being that it was the end of the school year, I also decided to incorporate CBRT as a fun way to engage my students in learning about a performance art with the support of drama specialist Roblin Davis, a local actor and fellow Artful Teaching participant.
WEEK 1 - Intro to Integers & CBRT
I started Week 1 with an introductory lesson on Integers by having my students learn common vocabulary (integer, positive, negative, opposite, etc.) and concepts by leading a note taking lesson where students filled in blanks to these definitions and important ideas.
"The next day Roblin Davis joined our class and we introduced CBRT by discussing gestures and sound effects and then reading an Introduction to CBRT script.
Here is a video of students learning the technique of emphasis when speaking:
The next lesson involved my class taking what they learned about Integers and adding to their knowledge by reading a CBRT script about Integers. We also discussed where and how to incorporate gestures and sound effects to make our reading more informative and entertaining.
Students had fun adding the gestures to this script and making sound effects!
We finished our Introductory lessons to CBRT and Integers by doing math worksheets which practice writing integers and comparing/ordering them. I was able to incorporate a lot of the gestures and sound effects from the Integers script while kids worked through the practice problems.
WEEK 2 &3 - Integer Operations and CBRT Script Writing
I started the next week doing a pre-test of students knowledge with Integer Operations (+,-,X,/) within 10 minutes and also had them complete notes which introduced the rules for these operations.
Roblin joined us for next class day as he helped guide us through the script writing process based on the rules for integer operations we learned the day before.
Here are some great resources to help get your students thinking about the writing process and guide them through writing a script:
It took both of my classes some time to get the important concepts out and then outline the setting characters, gestures, etc. needed for writing the script. This took us two class periods to develop our scripts but at the same time students were repeatedly rehearsing the rules for operations with integers so I felt as though it was time well spent.
Here are the final versions of our scripts!
During the next class period we rehearsed our scripts and recorded them.
I showed the students their recorded rehearsals and introduced them to the CBRT Assessment Rubric below:
While watching their rehearsals, students were asked to complete a self assessment to better understand how they were graded and identify areas they could work to improve on during rehearsals and final performance.
The final sequence of lessons was adapted as timing did not allow for a performance before the post assessment, but that would be the suggested method.
At the end of the week, students were given an Integer Operations Post-test to complete in 10 minutes. It was the same exact questions as the pre-test along with the following comprehension/reflection questions.
The results from the post test showed students definitely learned from the CBRT unit on Integer Operations. Students in my Period 1 class Integer Operations Camp, averaged 8.3% increase in the tests. 13/15 students increased their overall scores. It was not that surprising that the students whom didn't take a specific part in the script (not as engaged during the writing, rehearsals and performances) had much lower increases than those that did (including the two who scored lower on the post test).
Students in my Period 2 class Integer Operation Olympics averaged almost 15% increase in the tests. 18/20 students increased their overall scores. This class had some huge gains in percentages like 45% increases and many whom are on IEPs or have lower grades on previously taught concepts achieved higher than their norm.
I also asked students to answer the following comprehension questions about CBRT and our Integer Operations unit.
Most common responses to these questions were that CBRT helped them learn and it was fun! Many students also acknowledged that the repletion of rules reading through the scripts helped them learn better. Students were also given additional rehearsal time after the post test.
The first day of the last week was our performance day. We invited other math classes to attend our performance and followed the outlined lesson below created by Roblin in preparation for the performance.
I really enjoyed the opportunity to learn about and implement a CBRT unit in mathematics. I was able to teach an advanced grade level concept to students at the end of the year while at the same time making the learning personally relevant, fun and totally engaging. Had I followed the sequence of the textbook for this unit, it would have taken me at least 17 class periods (55 minutes each) but with the entire CBRT unit it took less than 12. From the assessment results, I saw that it had a positive impact on student learning and from the comprehension questions as well as my observations, students really enjoyed the process. I am totally on board to try implementing CBRT in my mathematics classes much earlier in the school year and using it continually as a way to teach math through performance art. It was a real pleasure to be a part of this process and I hope other teachers are interested in trying it themselves.
By Kris Dorsey
Gastineau Community School, 1st Grade
Science – absolutely, Writing – of course, Reading – yep...I’ve challenged myself to integrate many different Artful Thinking routines with the instructional content in my first grade class this year. Well, all except math… I’ve avoided it long enough, I suppose. I turned my teacher’s guide to our newest chapter. Math In Focus, Chapter 15 – Calendar and Telling Time.
How do we measure time?... Seconds, hours, days, weeks, months, years, decades...
How do we keep track of those units of measure?.. Timers, watches, phones, clocks, calendars…
What do the kids really need to know and how will they learn it best?... They need to develop a sense of time – how many seconds in a minute, minutes in an hour, hours in a day, days in a week, weeks in a month, months in a season, months/seasons in a year - and be able to compare those units of time. But what parts have to be experienced? The passage of time, the development of what an hour feels like compared to five hours, how it feels to wait a year for your next birthday, what mom actually means when she says there are only 10 minutes before bedtime... these are not things we can tell them; these are things they have to experience and connect with...these ideas about time must be constructed within the learner.
Sure, we need to help kids have access to the social knowledge pieces - like there are 60 seconds in a minute or that the third day of a week has a name and it's called Tuesday. These bits of information cannot be constructed within the learner alone through experiences. They have to be told from one person to another…because, in Japan, the third day of the week is called Kayobi...you wouldn't know that until somebody told you, no matter how many Tuesdays go by in Tokyo. These are the direct instruction pieces; the pieces I have to reveal to them.
But what connections can we make about telling time with an Artful Thinking routine? How can we use Artful Thinking and art experiences to assess what children already know or have learned about reading clocks? How can we make the learning engaging and meaningful?
Prior to introducing the new chapter, I told the kids we were going to do a "See, Think, Wonder" Thinking Routine for several pictures. First, I pulled out a photo of a sundial and didn't say anything while they looked carefully and thought about it.
Then, I asked them to quietly turn and share with a partner the things that they saw and thought about. I asked a few volunteers to share out their ideas and anything they wondered. Here are a few quotes after looking at the sundial:
"Maybe it's a time machine."
"I noticed some letters on the circle part."
"There's a shadow from the sun."
"I wonder why there is a shark fin on it in the middle?"
Next, I pulled out a photo of an ancient water clock (used to measure time at night) and repeated the "See, Think, Wonder" routine:
"Maybe it's an ancient bowl."
"I see Egypt writing on it – hiro, helo, hieroglyphs? I don't know what they're called, but it's Egypt picture writing."
"It looks like a bowl with water in it and it has a hole in the bottom."
"I wonder if it's for drinking water or taking a shower?"
Then, I pulled out a photo of an hourglass and repeated the routine:
"I have one of those at home"
"I think it's a timer."
"I have a small one in my game at home."
"It has sand in it and when it runs out, you turn it over to start it."
"I use one when I brush my teeth so I know how long I have to brush."
"I wonder how long it takes for the sand to run out from the top?"
The next photo to be revealed with the thinking routine was an analog clock:
"That's a clock!"
"We have those kinds in here – right over there (pointing to the classroom analog clocks)."
"I don't know how much time is on it."
"I think it shows ten-eight."
The last photo I brought out was a digital clock (akin to the Velcro shoe – most kids can figure it out without any help!)
"I have that kind. It's an alarm clock."
After they had discussed all the photos, I asked them, "Why do you think I put all these photos together?" Here are some things that they said,
"They all have to do with time?"
"Maybe it's about time machines."
"Maybe we're doing it for math?"
"We are going to learn about time."
"We know that these things are time."
"Because you want us to make connections about ways people tell time?"
"It's our math for today."
"Because we are going to be thinking about time and clocks."
I literally got goosebumps. They got it. They understood that unless we know how to "read" the markings or how the device is used to measure time, it's useless to us. The sundial, the water clock and the hourglass were all cool ideas for telling time, but we couldn't read them...we hadn't been taught how to use them to measure the passage of time. That set the stage for our purpose - learning to read an analog clock to measure time. They noticed there are three analog clocks on the walls of our classroom already, but I was the only one in the room who knew how to read them.
A collection of JSD teachers' arts integration classroom experiences